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Fırat Neziroğlu Presents:

Anatolian

WEAVING MAP

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“Guided by the ancient wisdom of Turkey’s unique lands…”

Wool
Peace Silk
Linen
Cotton
Up and Re-cycled
Afyon Keçesi
Ankara Sof Kuması
Bayburt Ehramı
Karacakılavuz Dimi Dokuması
Sedefli Battaniye 
Siirt Battaniyesi
Şal Şepik Kumaşı
Antep Kutnu
Barış İpeği
Etik İpek
Ayancık Keteni
Elpek Bezi
Çarşıbaşı Keşanı 
Kandıra Bezi
Merzifon Dokuması
Adana Bezi ( Kamlo Kumaşı)
Amasya Gediksaray Dokuması
Beypazarı Burgusu
Buldan Bezi
Burdur Dokuması
Bodrum Begonvil Bezi
Durağan Çemberi
Iznik Derbent Dokuması
Kayı Bezi
Lefke Bezi
Mardin Bezi
Mersin Okuntu Kumaşı
Nevruz Bezi
Rize Bezi (Feretiko)
Sinop Boyabat Çemberi
Şile Bezi
Tamzara Dokuması
Tire Beledi Dokuması
Vezirköprü Susuz Bezi
Yassıçal Çulha Bezi
Yesil Üzümlü Dastarı 
Durusu Bezi

ANATOLIAN LOOMS AND FABRICS

- Fırat Neziroğlu- 

From Tradition to the Future with the Anatolian Textile Network

     Fırat Neziroğlu is a distinguished designer with profound knowledge and expertise in the weaving techniques of Anatolia’s geographically indicated fabrics.

     After completing his undergraduate studies, he embarked on extensive field research by visiting Turkey’s leading weaving regions. During this journey, he worked side by side with master weavers, apprenticing at their looms. At the same time, he studied traditional fabrics that had either been forgotten or were on the verge of extinction, making significant contributions to the revival of this textile heritage.

     By reinterpreting these traditional techniques in line with the needs of today’s textile industry, Neziroğlu creates designs that are both functional and contemporary. In doing so, he establishes a strong and sustainable bridge between traditional craftsmanship and modern industry.

ANATOLIAN
WEAVING
MAP

INNOVATIONS IN ANATOLIAN LOOMS AND FABRICS

Fırat Neziroğlu is the first designer to experiment with transforming Anatolia’s traditional two-pedal looms into four-pedal systems. Despite strong resistance from academic circles, he has continued to pursue this groundbreaking work. Traditionally, the two-pedal system allows only plain weave (tabby) and its derivatives. Anatolian fabrics most commonly feature plain weave, weft-faced twill, warp-faced twill, and Panama weave. Patterns are usually created through striped or check effects using colored yarns. However, since the two-pedal system limits weave movements and pattern complexity, decorative motifs have historically been added using the Cicim technique, borrowed from the kilim tradition. In later phases of modernization, the Ajur technique—produced by twisting warp threads in groups during weaving—was also occasionally employed.

By converting this system into a four-pedal mechanism, Neziroğlu discovered that many region-specific fabrics could be woven in a double-layered structure, reinforced with lining warp and weft yarns, without compromising their authenticity. This innovation is a concrete outcome of his advanced expertise in fabric structures and weaving techniques.

In collaboration with the Ministry of Industry, he worked on Şile Bezi, a geographically indicated fabric renowned for its fine and semi-transparent texture. Previous thickening attempts had involved heavier yarns, which made the fabric resemble Buldan Bezi instead. Neziroğlu, however, became the first to install four-pedal looms in Şile. He designed a double-layered structure by weaving two separate Şile fabrics simultaneously and joining them at specific points. The result was a self-lined, double-layered fabric that preserved the original character of Şile cloth while achieving the desired density.

When researching Üzümlü Dastarı, another geographically indicated fabric from Fethiye, Neziroğlu visited the region and consulted its most skilled weavers. He observed that the looms were built with unusually short treadles, forcing weavers to bend their knees unnecessarily. To solve this issue, he ergonomically redesigned the seating area of the looms. He also introduced the four-pedal system to Fethiye, conducting experimental studies that resulted in a new type of weave. This fabric was later named “FN Dastar” by the Fethiye Municipality.

In Piraziz, Giresun, around 1,000 Karayaka sheep are shorn annually. Because of the coarse quality of their wool, the region had long relied on imported New Zealand wool, producing felt with a 70% New Zealand / 30% Karayaka blend. After learning this, Neziroğlu traveled to Giresun and produced felts made entirely from Karayaka wool, which he then used to design shoes and boots.

Additionally, in his role as a consultant on Wearable Technologies at Bilişim Vadisi, he contributed to research demonstrating that wool helps protect the human body from the harmful effects of electrical pollution in urban environments. Building on these scientific findings, Neziroğlu continues to design innovative fabric structures that merge tradition with contemporary needs.

ANATOLIAN WEAVING MAP AND ANATOLIAN TEXTILE NETWORK

For more than 25 years, through his travels across different regions of Anatolia, Fırat Neziroğlu has developed new looms and weaving structures based on the techniques he learned from local weavers throughout Turkey. With these innovations, he has reinterpreted Turkish fabrics in contemporary forms and enriched the Anatolian Weaving Map.

At the same time, he has created a network connecting weaving villages across Turkey’s diverse cities, establishing a bond between Anatolia’s various geographical regions—woven together, thread by thread. For example, under Neziroğlu’s supervision, geographically indicated fabrics woven by local women in Şile and Fethiye are transformed into garments by women in Nevruz Village, Çanakkale.

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© 2026 by FIRAT NEZIROGLU

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